Aus der Serie "Das Glashaus" © Michael Carapetian Silbergelatineprints auf Barytpapier, signiert, datiert, nummeriert, 180 x 230 mm.

Das Glashaus | Michael CARAPETIAN in Berlin

The “maison de verre” (1931) by Pierre Chareau is a residential building in Paris. Its facade, an opaque glass wall, made it an… more »

(c) Marc Dittrich

Schnittmengen | MARC DITTRICH in Karlsruhe

Why do architects make art? Why do visual artists deal with architecture? A new series of exhibitions at Architekturschaufenster Karlsruhe focusses on contemporary… more »

Yannig Hedel: "Les-Eclats-Blancs, 1-2", Vintage silver gelatin prints (1995), 56 x 36 cm each, Edition #1/8

Quarter past twelve | YANNIG HEDEL in Paris

Relentless street walker, Yannig Hedel has been tracking the race of time on the urban architecture for 50 years, day after day, season… more »

Christian Höhn Grand Central Terminal, New York, 2014 Duratrans, LED-Leuchtkasten 180 x 222 x 19 cm

Megacity / One Station | CHRISTIAN HÖHN in Herford

For many years, Christian Höhn has been dealing with different urban topics. This show presents large-format acrylic works and light boxes from different… more »

Erasmus Schröter Bunker WB 54, 1995 © Erasmus Schröter

IN EINEM ANDEREN LAND in Erfurt

How did artists go through the transformation processes after 1990 in Germany? Gabriele Muschter and Uwe Warnke pursued this question when they conducted… more »

Guy Tillim: Grande Hotel, Beira, Mozambique, 2008 © Guy Tillim, Courtesy Stevenson, Cape Town and Johannesburg

EXTREME.TERRITORIES in Frankfurt / Eschborn

The exhibition shows regions whose residents are exposed to exceptional conditions as a result of political and economic developments. The focus lies on… more »

Hans-Christian Schink: Sanitz, 2005, C-Print/Diasec, 183 x 216,9 cm, DZ BANK [KUNSTSAMMLUNG] © Hans-Christian Schink, 2018

Hier und dort | Hans-Christian SCHINK in Saarbrücken

The exhibition presents Hans-Christian Schink’s best-known work groups, and, for the first time, presents pictures from his latest series “Hinterland”. While photographing in… more »

Double Take | Jojakim CORTIS & Adrian SONDEREGGER in Winterthur

For five years, the Zurich-based artist duo Jojakim Cortis & Adrian Sonderegger worked on a project that not only captivates with its concept,… more »

Postkoloniale Erleuchtung | HAUBITZ + ZOCHE in Mannheim

Grand cinemas that are colored brightly and decorated with exuberant ornaments which you can only find in India in such large numbers. Sabine… more »

Bernd und Hilla Becher: Fördertürme, D, B, F, 1963–1982 © Estate Bernd & Hilla Becher, vertreten durch Max Becher Courtesy Die Photographische Sammlung/SK Stiftung Kultur Bernd und Hilla Becher Archiv, Köln, 2018

Bergwerke | Bernd & Hilla BECHER in Bottrop

With the closure of the mine Prosper Haniel in Bottrop this year, 250 years of coal mining in Germany come to an end.… more »

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